Many embodiments of this keyboard have appeared since its conception. Both reasons left keyboard instrument manufacturers afraid to invest in a redesigned keyboard which promised to have only marginal commercial success. Few performers were prepared to relearn their repertoire on a new keyboard with entirely different fingering. Music educators were not convinced that the benefits of the new keyboard were enough to challenge the traditional keyboard. Bradley Keeler called How to Play the New Keyboard.ĭespite all this, the Jankó keyboard never achieved wide popularity. American piano manufacturer Decker Brothers put the keyboard into production around 1891, and the Paul de Janko Conservatory of Music was established in New York around the same time. The Jankó Keyboard caused a stir at the time of its invention, in large part due to its unique look and the intelligent design behind the keyboard. Instead of 123 cm (48 in) the keyboard is only 89 cm (35 in) wide, and the smaller key size allows reaching wider intervals. In the picture above, the white keys have been coloured to show how the keys are interconnected. The configuration retains the colouring of traditional keyboards (white naturals, black sharps and flats) for pedagogical purposes.įor an 88-note (full size) keyboard, there would be 264 keys in total, with each note playable by three keys in vertical alignment. Furthermore, the use of multiple rows allows the pianist to more naturally follow the contour of their hand and accounts for the different lengths of the fingers. This key layout results in each chord and scale having the same shape on the keyboard with the same fingerings regardless of key, so there is no change in geometry when transposing music. Thus within each row the interval from one note to the next is a whole step. Each vertical column of three keys is a semitone away from the neighboring ones, which are in the alternate rows. Instead of a single row, the Jankó keyboard has an array of keys consisting of two interleaved manuals with three touch-points for every key lever, making six rows of keys. It was designed to overcome two limitations on the traditional piano keyboard: the large-scale geometry of the keys (stretching beyond a ninth, or even an octave, can be difficult or impossible for pianists with small hands), and the fact that each scale has to be fingered differently. The Jankó keyboard is a musical keyboard layout for a piano designed by Paul von Jankó, a Hungarian pianist and engineer, in 1882. JSTOR ( July 2010) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |